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Media Kit Part- 2

Movie Name 1- “Her
As sometimes I do think like that, I felt everything which is I am feeling and being out from
here and I am not being felt just new and there are some newer versions of its which I have
been felt- Spike Jonze created, directed, and starred in Her, a 2013 American sci-fi emotional
melodrama film. It is Jonze's first time authoring a screenplay on his own. The film depicts
Theodore Twombly, a guy that develops a connection with Samantha, a female-voiced
machine intelligence digital assistant. In the mid-2000s, Jonze contemplated the idea after
reading a story about such a website that compared messaging to a man-made logic effort.
Jonze returned to the idea after filming I'm Here (2010), a short film with comparable themes.
He finally finished the very first version of the material after a long time (This is Barry,

A sensitive and insightful guy earns his money by writing personalized messages for
someone else. Now since his marriage ends, someone who becomes engrossed in a changing
work structure that he claims develops into an instinctual and outstanding component. He starts the show by meeting & quot;Samantha & quot; whose lovely voice reveals a sensitive, enjoying
nature. While they begin as & quot;companions & quot; the friendship quickly grows into a passion.
"Her & quot; situated in a little later Los Angeles, features Theodore Twombly, a perplexing,
sincere person who makes a profession writing personal, particular messages for someone
else. After being broken by the end of an engaged friendship, he gets enamored with a new,
advanced operating structure that promises to be an intuitive drug that is unique to each
customer. He is charmed to encounter & quot; Samantha & quot; a great female speaker who's really shrewd, gentle, and startlingly hilarious, after beginning it. As her wants and requirements grow in tandem with his, their friendship blossoms into a probable love affair.

A fascinating love narrative that probes the growing essence risks proximity in the having to cut world has come through only one perspective of Oscar-nominated director Spike Jonze (Roger-, 2022).
Much is developed in history's globe employing Frameworks that utilize speech recognition,
that PC foundation which hence transmits to its clients on a routine basis via a generated
voice. Theodore Twombly, who steps in as a freelance PC writer for clients, is an intelligent
guy who was virtually divorced from his long-time girlfriend, Catherine. He is holding to his
relationship with all of his might. Theodore is having difficulty going on from his indifferent
connection with a long-term partner, the married Amy, to certain other rewarding female
relationships, whether impractically or overtly. In the end, he admits that he will be
surrendering to Samantha, the nickname that has been assigned to the man-made logical
functioning structure which governs all of his mechanical parts, who became perhaps his
closest partner (The communicator, 2022).
Because Samantha is supposed to think about Theodore's wants, she eventually succumbs to
him as well. They must find ways to turn the connection into one that is enjoyable in each
part, despite Samantha's lack of a body. 3 of the many questions that could arise now is
whether Theodore's connection with Samantha is preventing him from needing a more
fulfilled and happy relationship with a female human, if a human, as well as a PC application
framework, can truly be strengthened in every fundamental angle, and whether Samantha's
rapid progress means she would then grow markedly even farther with her sort of self (This is
Barry, 2022).

A picture that begs to be seen again and again seems more than likely to have a great
foundation. She, a masterwork of love, thought, and the human experience entices the
intellect while warming the soul.
Theodore Twombly (amazingly performed by Joaquin Phoenix) is confronted with this
question as he struggles to give up, unable to stop repeating events from his broken marriage.
Theodore unintentionally takes responsibility for the collapse by contenting himself with
whatever task each visiting room partner requires of him (, 2022).
Theodore, like other characters in the movie, suffers from an overabundance of attentiveness.
Issues arise from the confidence of self-realization, whether that's Charles' burdensome
advice for crushing your veggies or Amy's revelation for joy. While seeing other personalities
deal with this problem might be amusing, seeing it all through Theodore's perspective allows
us to get a closer look.
On an academic level, I was completely enthralled by the narrative. There was a lot to think
about, such as what marriage is, how we'd love, as well as what makes us human. Without the
need for doubt, the first words Theodore (Joaquin Phoenix) hears in the commercial which
draws him into the Operating system that alters his life are: & quot; We have a simple inquiry for
you. " What are your credentials?& quot; We immediately see that we have been working with a concept of self.
Nevertheless, tuning into the film with zeal left me with some difficult recollections. I felt a
special sense of sympathy for Theodore as he confronted the prospect of ending his
relationship with a woman for whom he always had feelings.
Similarly, he is alone. And, to top it off, he is a lovely person. As a result, I found myself
firmly in his camp and eager to follow his journey (The communicator, 2022).
Theodore begins the narrative in an area of division, and so do most Main characters. One
glaring symptom of this is the impending split. The fact that Theodore spends a lot of time
thinking about Catherine (in different memories) indicates that he is remaining in the present
while also being locked in the past. If he did 't relax, he engages in — or at the very least
tries to engage in — a trying to cut variant of telephone sex, authenticity without true
proximity. However, it's possible that his main activity is to narrate everything: Theodore writes these very detailed and passionate emails to customers who are on the verge of a life-changing encounter on the fringes. In any event, he is engulfed by a comatose murkiness of ennui when it comes to his feelings. On its whole, a Disunity character.
After several days, it dawned on me: I embrace Jonze's perspective. Theodore talks to a
sophisticated Everyman, the result of human existence enveloped in invention and embedded.
What promises to provide us connection and consistency instead gives us the converse,
relational delusions (Variety, 2022).
So, as Theodore gets to know the Operating system he gets to realize as Samantha, it's only
natural that he'll make a connection with 'her.'
This is where he'll be playing. That's how he goes about his business. Certainly, that's the
method through which each individual today exists (at least in the First World), always in
touch with a technological and web-based existence, instantly accessible, while acting as a
type of bridge among our reality and genuine sensation.
My opinion
As per my opinion, it serves as a warning story, in my opinion. It's situated in a five-year-in-
the-future setting, so you shouldn’t't have to lower your expectations for much. I believe there
are many themes you could draw away from the story, however for me, that notion of
science, which has the opportunity to deliver us nearer together, can also isolate us much
more than we believed possible, and therefore there is no replacement for true human contact
I believe the lesson is that you'll have a proper relationship which improves his life though if
you ultimately drift away and are unable to remain married.
Theodore is trapped in sadness and his recollections of an old one at the start of the film,
refusing to admit when his relationship is finished. Samantha is a newly-awakened person
with no prior real-life experience. Both also grow and practice with one another throughout
the film; Theodore starts to get over his relationship, while Samantha discovers love and
relationships, as well as her boundaries as well as how to overcome it. Samantha's
development eventually outpaces Theodore's, so she gets so big the connection, which would
be no one’s fault. Our leaving is both pleasant and painful. He is in a stronger place than he was previously, and he is eventually able to also let it out, but also to apologize to his former
and tell her what essential she would have been to him, allowing him to look to the future and
reintegrate with the universe.
Samantha's AI status was essentially immaterial; you can easily substitute her with such a
human personality and still follow the main plot lines of the connection. As a result, I don't
believe the film is actually on the man likes AI theme. It's all about the connections.
It simply indicates that Sofia Coppola and Spike Jonze used to have a tumultuous relationship
and turned to someone else for help. Sofia required the services of Bill Murray's characters,
and Spike required the services of an AI when his persona was divorcing his wife. Murray's
persona sleeping the Japanese lady as well as the AI lying with 4000 odd guys both learned
the characters, they linked with did 't require them.

Movie Name 2- “Whiplash”
“Good job” words are the most destructive words inside the language of English. The movie
Whiplash is directed and composed by Damien Chazelle inside the 2014 American show film.
There at fictional Shaffer Conservatory, this shows the relationship throughout amongst
violent jazz drummer as well as an abusive bandleader. Whiplash was the opening movie of
something like moreover 2014 Sundance Film Festival, premiering around January 16, 2014,
while winning its Audience Award and Grand Jury Prize for Show (Dermatan & Alobar,
Andrew Neiman (Miles Teller) is a driven young jazz drummer who aspires to have been the
best at the prestigious musical institution. Terence Fletcher (J.K. Simmons), a feared teacher,
uncovers Andrew but also places him inside the top jazz band, forever transforming this boy's
life. Andrew's attempt to please excellence, on either hand, gradually becomes an addiction
when this harsh tutor drives them towards the limit of both their abilities and rationality. And
we may also summarize the appropriate in the proper manner like:

Andrew Neiman is a zealous young jazz drummer on a mission to reach the pinnacle of his
world-class recording studio. Terence Fletcher, a teacher notorious for their terrifying
demonstration skills, tracks down Andrew as well as places him inside the elite jazz group,
forever altering this youngster's life. Andrew's desire to achieve perfection, however, quickly
turns into obsession when this cruel instructor drives them towards his limit both his ability
as well as intellectual soundness.
Andrew Niemann, who is nineteen years old, aspires to become the finest jazz drummer upon
that globe, at par like Buddy Rich. Their goal is despite not also from a renowned, melodious,
or anything else household, despite Jim, their secondary school teacher father, becoming a
failed novelist. Andrew was starting his debut semester attending Shaffer Conservatory of
Music, America's biggest music institution (Tsugawa, 2018).
Becoming the best way of concentration underneath Terence Fletcher but also having
recruited to perform with their studio band under Shaffer testifies towards the school's jazz
rivalry. Andrew is surprised when Fletcher asks him to either join their band and in the main
case, the position of the drummer needs to be accepted properly in a proper manner. Andrew
first needs to fastly discover the Fletcher working on the dead as well as terrorizing, and
always not agree and what kind of thinks about the almost every single time method happens
in their band. In Fletcher's mind, becoming the greatest wasn't just performing well, but also recognizing once you're performing wonderfully but also, but not, where you're going wrong.
Andrew Neimann, a zealous but exceptionally accomplished jazz drummer, triumphs against
rottenness but all of Fletcher's psychological abuses. This teacher teaches them how "no two words in the English language seem to be more damaging than 'Great job.'" Finally, Niemann realizes that Fletcher has high expectations for their apprentice, noting, therefore, every other one alongside those roadblocks was indeed the result of personal wants (Lindebaum & Courpasson, 2019).
Upon their expulsion, Andrew gave up drums now and works in a restaurant, despite his dad
helping support them. Fletcher upholds his instructional techniques besides simply saying
that is that he only first would like his educators to force themselves of becoming one‘s
highest quality, mentioning this same story of Charlie Parker's surge in popularity since being
shamed by Jo Jones throughout his formative years. Andrew meets Fletcher at the jazz club
where he'll be operating like a piano player, but also he tries to defend his instructional

techniques besides simply saying that he first wished his teenagers to try to force themself
into becoming their own highest quality, mentioning this same story of Charlie Parker's
stardom upon He notifies Andrew how his present drummers aren’t performing very well
offers him to perform with his band at the JVC Jazz Festival alternatively, telling him
because they'll be performing tunes which Andrew did at Shaffer (Tsugawa, 2018).
Andrew walks off stage embarrassed, yet reappears and performs "Caravan," interrupting
Fletcher's prelude with their next song and stimulus control inside the band himself. Fletcher
is enraged at first but then begins conducting. Andrew plays into an extended solo extended
solos when Fletcher triggers the article's final chord. After curing into group climax, Fletcher
shakes his head in satisfaction over Andrew's effort (Sembiring, et al., 2019).
"Whiplash" is indeed a real-life adrenaline rush. This is a genuinely closest at the house but
energetically live dramatization in a time when this large majority of movies seem more
polished by way since the beginning through promoting managers. Damien Chazelle has
made a reasonably sensitive topic, such as the relationship among a musical impersonator
with his instructor, together into spine chilling thriller predicated on a brilliant propensity of
social analysis well about things to make something in an undoubtedly severe that nasty
society. How far do users think you'll go to achieve your goals? How hard might they say
you'd push someone else to get them to move forward?
Andrew Neyman, a youth, is practicing late in the night. Although his son was a student with
their New York music school, which was regarded as among the best in the nation, Mr.
Fletcher, one of the most powerful people in the world, listens to drumming the instructor
there at the institution but also director of the school's most important jazz band Fletcher
pauses, listens out, yells a handful of demands there at the kid, and then continues along his
way, clearly unsatisfied according to what they hear. Andrew had his chance, which split
second when a substantial percentage of us had to pique the interests of the public who could
change our lives, but he blew it (Utama, 2020).
Andrew is frequently troubled, but he also recognizes what possesses a unique ambition,
passion, with competence. Teller walks this fine balance, not stumbling by having Andrew
overconfident but yet allowing onlookers to glimpse this gleam within of which Fletcher

Inside the case of Simmons, Fletcher may become such a representation in the hand of such
an unsuitable performer. Any chapter full of interconnections is indeed a ludicrous,
unpleasant teacher. Neither of these applies to Simmons. He walks one such thin line which,
long after the kind of callous psychological games with physical abuse which might result in
serious charges have played out on film, we find ourselves drawn to Fletcher. Whenever he
claims that perhaps the two worst dangerous words in the English language were "good job,"
he isn't wrong. Although they feel that it's the proper practice or just not, they are living in
this era of praise, when comfort is indeed the motivator but each youngster receives a prize
for their effort (Darmawan & Albar, 2020).
While "Whiplash" would have been a notable picture if this had been simply because of
Teller and Simmons' performances, it is elevated to a different level when someone considers
the excellent implementation of its rhythm.
This soundtrack CD is published here on Varèse Sarabande imprint on October 7, 2014.
Original jazz compositions made again specifically movie, new backdrop sections created for
the movie, including classic jazz classics penned by Stan Getz, Duke Ellington, as well as
other performers make up the movie's 24 songs. Bernie Dresel has been the real drummer.
Original music by Justin Hurwitz, plus extra tracks including remixed from Timo Garcia,
Opiuo, Murray A. Lightburn, and the others, were issued on dual CD and 2-LP double jacket
record featuring updated album artwork on March 27, 2020 (Utama, 2020).
Damien Chazelle, who had been in an "extremely tough" jazz band whereas at Princeton
High School, relied upon that dread he felt through these years for his film. Terence Fletcher,
play leader, was inspired after his old band professor (he passed early 2003), yet Taylor
"pressed it farther," incorporating parts of Buddy Rich and other band commanders noted by such severe treatment. When struggling to get their musical La La Land off the air, Chazelle says they penned it film "originally in frustration."
And some worked with Rights the Passage Pictures but also Blumhouse Pictures to adapt 15
chapters with their original screenplay into such a mini-movie featuring Johnny Simmons as
Neiman with J. K. Simmons not related to Fletcher (Lindebaum & Courpasson, 2019).
Miles Teller was cast as the character created by Johnny Simmons in August 2013, but J. K.
Simmons stayed connected to his original role. J. K. Simmons was given guidance by Chazelle earlier upon "I would rather not see another human person on-screen much longer,"
I told him, "so far beyond what people believe the conventional limit is." I'd want a creature, a gargoyle, or a creature." Although challenged with Simmons, several of the bandmates are actual artists or music majors, and Chazelle strove to depict genuine emotions of dread and worry. Simmons was "as lovely as could be" during shots, according to Chazelle, whom she attributes with saving "this shooting from ever becoming a nightmare." (Sembiring, et al., 2019).


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Lindebaum, D., & Courpasson, D. (2019). Becoming the next Charlie Parker: Rewriting the
role of passions in bureaucracies with Whiplash.
Mahfoud, H. (2020). Graph pattern matching with counting quantifiers and label-repetition
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Tsugawa, S. (2018). Teacher, group, self: Music teaching and learning in two New Horizons
ensembles. International Journal of Community Music, 11(2), 167-181.
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